Ideas and Inspiration Questions

Q. What is your writing process?
A. I usually get up in the morning and write for four hours, and then I eat lunch, and then in the afternoon I do web and youtube and businessy stuff for five hours. My work day is eight AM to six PM with an hour for lunch. I don’t always stick to this schedule–I travel a lot and some days I have to do non-writing stuff all day. But I am pretty good about the schedule.

Q. How do you deal with writers’ block?
A. I just give myself permission to suck. I delete about 90% of my first drafts (the only exception to this rule so far has been Will Grayson, Will Grayson) so it doesn’t really matter much if on a particular day I write beautiful and brilliant prose that will stick in the minds of my readers forever, because there’s a 90% chance I’m just gonna delete whatever I write anyway. I find this hugely liberating.
I also like to remind myself of something my dad said to me once in re. writers’ block: “Coal miners don’t get coal miners’ block.”

Q. Where do you get your ideas for your books?
A. Well, my books don’t have capital-i Ideas, really. I don’t have ideas that hit like a ton of bricks out of nowhere, like BAM! Write a book about a wizard school! Or, Bam! Vampires in Suburbia! The ideas for my books come from lower case-i ideas. Looking for Alaska began, really, in thinking about whether there was meaning to suffering, and how one can reconcile one’s self to a world where suffering is so unjustly distributed. Paper Towns began with thinking about our fascination with manic pixie dream girls and our relentless misimagining of each other. Then little ideas will come along and link up to other little ideas and then in a few short years, I have a book. I would love to have a high-concept book idea fall out of the sky and hit me one day, but it hasn’t happened yet.

Q. How do you feel about your books after you’re done writing them?
A. It varies. I am usually pretty disappointed with the book when I finally turn in the last draft and hear that I can’t revise it any further. I worry a lot that no one will like it and that I’ve failed and that I haven’t lived up to the story. Then when it comes out there’s a weird adjustment and I find myself really protective of the book and increasingly proud of it. Then after a while it settles into ambivalence for me, to be totally honest. I still feel proud of the books I’ve written, but they also feel very *finished* to me. They belong to their readers now, which is a great thing–because the books are more powerful in the hands of my readers than they could ever be in my hands.

Q. Have you ever felt, midway through a book, that you didn’t have any more ideas and you wouldn’t be able to finish writing it?
A. Oh yeah all the time. And sometimes I don’t finish the book–or at least not for a long time. That’s always a bit depressing, but I don’t think it’s wasted time–even if you end up not finishing the story. You were learning something as a writer that you needed to learn. The difficult thing is figuring out when a story really SHOULD be abandoned, and when it’s just the mid-story blues–which I think happens to every book.

Q. When did you know you wanted to write?
A. I knew I liked writing from the time I was very young, so I don’t think I ever really decided to write. I just kinda kept writing, even when I didn’t show much potential. I never thought that I would be able to write for a living or anything, and I still don’t feel comfortable saying that, like, writing is my job. (And in many ways it isn’t. I have several jobs.)

Q.  How do you write young adult novels when you are not an adolescent yourself?

A. Well, it’s a lot easier than writing about, like, vampires, because I used to be an adolescent. But in truth all fiction is an attempt at empathy: When I write, I’m trying to imagine what it’s like to be someone else more than I’m trying to express what it’s like to be me. So in that sense, it’s very helpful for me to write from the perspectives of characters who are at least a little different from me. Of course, I’m a writer of limited talents, and I don’t feel that I can stray too far from myself.

Q. Are you currently working on a novel?
A. Yes, I am always working on a novel, although I guess it depends on how you define “working” and “on.” I’ve become very superstitious, however, about saying more than that, because while I was writing the book that became The Fault in Our Stars, I promised many different stories–a zombie apocalypse novel, a novel about kids stranded on a desert island–and then delivered a very different book. So you’ll have to trust me that I’m working.

Q.  Did you study writing in school?
A. To an extent. I don’t have an MFA or anything, but I did take creative writing classes in high school and I took a hugely helpful fiction writing class at Kenyon with P. F. Kluge. If it hadn’t been for that class, I don’t think I would’ve ever written a book.
I also received much training after I graduated from college from my mentor, Ilene Cooper, and from many other writers and editors at Booklist.

Q.  Do you ever wake up in the morning and dread writing?
A. No, not that I can remember. I often get mad at myself because I’m writing poorly, or worry that I’ll never write another book, or feel frustrated because I’m up against the limits of my talents, but I never dread writing. So I often feel that I’m not up to the task, but I never dread it.

Q.  Do you ever think about writing an “adult book”?
A.  Not really. I don’t find adults very interesting, to be honest with you.

Q. Do you research your ideas beforehand (such as cancer in TFIOS)?
A. Well, I spent about a decade writing the story that eventually became The Fault in Our Stars, and I definitely did a lot of research along the way. I talked to a lot of cancer survivors and their families, and I also read a lot about the disease itself and its treatments. I really enjoy research, atlhough in the case of TFiOS it was perhaps not great for my hypochondria.

Q.  How many drafts do you do?
A. That really depends on how you define “draft.” I believe that all writing is rewriting–even when you’re writing something down for the first time, it’s still an act of translation in a way because you’re trying to use text to bring life to this thing that exists in your mind. And I’m a big believer in revision: I almost always delete most of my first drafts (often as much as 90%). But there are many mini-drafts along the way, so it’s hard to talk about the process quantitatively. I do try to save the file with a different name each time I’ve made some dramatic changes I fear I might later regret, so that’s some measure, maybe, of how many drafts there are. The final copy of Katherines on my hard drive is called aok284; the final copy of TFiOS is called okay192.

Q. Do you talk about what you’re working on with your editor or wife?
A. Yes, both. I’ve been working with my editor and publishing, Julie Strauss-Gabel, for more than a decade now, and I often show her scraps and chapters and excerpts and all variety of unfinished things. But when I get on a roll, she usually doesn’t hear from me for a while, because I like to send her at least something of a finished manuscript once we agree that I’m on the right track.
I also read a lot to my wife, Sarah, who has informed and shaped all my books in uncountable ways. (Many of the most quoted lines in books are actually Sarah’s, and in general our conversations about art and meaning and everything else are hugely important to me.)

Q. What books would you recommend for a young adult?
A. There are so many. The Book Thief. How I Live Now. The First Part Last. Feed. The Astonishing Life of Octavian Nothing, Traitor to the Nation. 13 Little Blue Envelopes. Story of a Girl. White Cat (and sequels). Every Day.
I could go on for weeks. Let me steer you toward one book, though, that partly inspired An Imperial Affliction, the nonexistent novel I write about in The Fault in Our Stars. It’s called The Blood of the Lamb, and it’s by Peter de Vries, and although it is hardly read at all today, it is one of my favorite books ever.

More questions about ideas and inspiration and writing and whatnot? Leave them in comments.

{ 365 comments… read them below or add one }

build that February 13, 2015 at 2:01 am

Take the thing about you writing many drafts of your story and thinking of the titles and ideas along the way.


Rachel February 13, 2015 at 7:59 am

Whenever basketball had been discovered, the actual hoop had been actually the basket, therefore the title basketball. As time continued, the fundamental backboard grew to become bigger, so that as rules transformed, the internet was additional.


Cyanna February 13, 2015 at 1:42 pm

At the moment I feel like Hazel, trying to write to, and get a response from one of her favorite authors out there. I highly doubt you will ever respond to this comment but I have to do an IS(independent studies) Project for my English Class and I’m stuck. I obviously want to write a book because I love the feeling behind creating words into something that can inspire someone. My problem is, is that I can’t think of any intriguing ideas to base my story off of. The book isn’t necessarily going to be a full length novel, rather, a short story that is a maximum of about 20 chapters or so. I’ve tried website after website, I’ve asked my friends and family for advice, still, nothing. I’m in a predicament and I can’t get out. Please, I need help. It would be much appreciated.


Drew Rose February 18, 2015 at 9:25 pm

Hello John Green,

Whether you reply or not, I’d like to go into the world of your character development. Your ideas for your books are brilliant. TFIOS is a flawless book that has made its way on my top five favorite books. Inside the book, diving into Hazel’s mind, we see so much characterization of her and of Augustus. Even her mother and father have so much characterization. What I’d like to know is—Could you describe to us how you decide what each character is like? Do you examine real life people to create the characters? And do they develope more through every draft, or are they pretty set in stone characters in the first draft?

Thanks for your time,


It doesn't matter February 25, 2015 at 7:37 am

John G.

I’m not going to rave about how fantastic your books are. I’m not going to gush over how flawless your work is. And I’m certainly not going to say they are perfection.
Your books are inspiring. But even more inspiring is the author who wrote them.
Thank you for being honest. Your books don’t matter John. At least, not the most. It what comes after the books that matters.


Lauren E. March 1, 2015 at 12:32 pm

How do you cope with the unknowingness of writing, the complete absence of reliability? Especially when you know you have to support your family?


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Katie March 8, 2015 at 4:42 am

I am a huge fan of your work, you are undoubtedly one of my favorite authors. With you being such a successful writer, I was wondering if you had any advice into organizing fragments of dialogue, miscellaneous characters, and various plot points into a whole story? To quote you, ” My thoughts are stars I cannot fathom into constellations.”
Any advice on fathoming a constellation from a ton of stars would be extremely helpful.


Debbie Caudle March 11, 2015 at 1:03 pm

I have lived in this state since 1988 and I. Know for a fact that if I had help writing my stories just the 500 or more people I know would buy it. Nobody would believe what I could write about. If you want to give me or advice pls call me . Thank you Debbie Caudle 907 414 -7268


Gabriela Pacheco March 14, 2015 at 11:16 pm

I am writing a book but I don’t know what to write now what do i do


Samantha March 20, 2015 at 2:35 pm

Is writing a passion you have ?


Rimma March 22, 2015 at 5:50 am

Hello :)
Firstly, I would like to say that you have become one of my favorite writers, and secondly, your books, your work, they are more to me than just a book. They are for me – life. In your books is that what every teenager who became entangled in yourself or trying to do with him something awful.
I love writing, I love to write, but I have a problem. This is associated with the dialogue. I like a good description is obtained to describe something I love, but the dialogue, I have not worked at all, they look too crumpled, sometimes dry, sometimes too elaborate. And yet I can not think about what will happen in the chapter, that is, I know what the key points are, but I can not think of what will happen in the general chapter.
Maybe I’m just too bad “writer” because I do not consider myself a writer, I’m just a teenager who is trying to find himself, but too fond of writing and whose ideas in my head hell of a lot. I just need your advice.


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